Saturday, August 18, 2012

Ardra Whitney: Week 11 @ The HistoryMakers


Monday, August 13th:  I continued processing special collection: “An Evening With Andrew Young” and submitted three processed boxes to Julieanna Richardson for review. I also completed my Camtasia training video on how to create EAD/EAC-CPF finding aids using FileMaker Pro and XML Editor. In addition, I began removing fasteners from special collection: “An Evening With Quincy Jones” and received documents belonging to the collection from IMLS Fellow, Amanda Carter. I e-mailed Bradley Morgan to ask how to create labels for the archives boxes the special collections are housed in and he e-mail me back with the label format and DYMO label instructions.  After receiving back a couple of the finding aids I had submitted to Ms. Richardson, I made revisions to the FileMaker Pro record for Suzanne Malveaux’s interview based on Ms. Richardson’s edits.

Tuesday, August 14th:  I corresponded with Dan Johnson on how to improve my LOC subject headings for Suzanne Malveaux’s oral history interview finding aid. I put web clips into FileMaker Pro for interviews with Russ Mitchell and Zenobia Washington. I also completed processing special collection: “An Evening With Andrew Young”.  At noon, IMLS Fellows, attended Dr. Cecilia Salvatore’s archives seminar on Exhibit Planning and Project Management, where we discussed:

    • Planning exhibits from concept to opening (i.e., requirements for exhibition space; functional design criteria; codes, regulations and standards for exhibitions; display cases, public safety, accessibility, budget concerns and resources)
    • Establishing communication objectives and means of expression for exhibits
    • Creating a storyline and choosing artifacts and objects to display in exhibits
    • Digital Archives Specialist (DAS) and Digital Asset Manager (DAM) certifications
    • Guidelines for conducting and transcribing oral histories
    • Recording equipment, audio management programs and formats, transcription software and oral history resources
    • Appraisal, selection and processing decisions concerning archival material inventoried from the Historical Society of Forest Park
Wednesday, August 15th:  I put web clips into FileMaker Pro for Suzanne Malveaux’s interview and started removing staples and consolidating folders for the special collection: “An Evening With Quincy Jones”. IMLS Fellows also attended Dr. Christopher Reed’s African American History lecture, where we discussed:
    • Chapter 24 of Hine, Darlene Clark, et. al, The African-American Odyssey (Comb. Vol.
    • W.E.B. Du Bois’ question of whether African Americans could expect resolution of their sense of a “double consciousness”
    • Blacks losing their claim to being the nation’s largest minority and the challenges in regard to federal and other governmental spending in the wake of this consequence
    • Maturity within the ranks of Black Studies and its production of four strong currents: Afrocentricity, inclusivity, gender/class, and internationalism/diasporan
    • An increase in the income level of African Americans that produced an expanded middle class, counterbalanced by an increase in the number of struggling and impoverished blacks
    • The Hip-Hop Movement and how it fits into the course of black history
    • Religion’s ever increasing role in black life
Thursday, August 16th: In the morning, I met with Julieanna Richardson to review my processing for the special collection: “An Evening With Andrew Young”. I also corresponded with Business & Operations Manager at The HistoryMakers, Zhu Sun and Georgette Mayo to schedule a new date for my participation plan presentation. I attended IMLS Fellow, Amanda Carter’s participation plan presentation for her host institution, Fisk University’s John Hope and Aurelia E. Franklin Library. Ms. Carter gave a wonderfully concise and informative presentation on both her host institution and the Meharry Medical School Special Collections. Moreover, it was pleasure learning about master builder, Moses McKissack and his family—as well as McKissack and McKissack, Tennessee’s first black (and oldest) architectural firm. Throughout the day, I worked on completing revisions to processing for the special collection: “An Evening With Andrew Young”, i.e., removed fasteners and consolidated folders; printed box labels; and created a folder list for the collection using Microsoft Excel. Additionally, I continued removing staples and consolidating folders for the special collection: “An Evening With Quincy Jones” and finished four out of eight boxes by the end of the day.
Friday, August 18th:  I completed processing the special collection: “An Evening With Quincy Jones” and met with Zhu Sun for an exit interview.  I also attended IMLS Fellow, Chaitra Powell’s participation plan presentation for her host institution, The Mayme A. Clayton Library & Museum (MCLM). Not only does the repository house “the largest and most academically substantial independently-held collection of objects, documents and memorabilia on African American history and culture” but it also rents its facility for film shoots—because the museum is now housed in what used to be a court house. In fact, the MCLM is featured prominently in the film, “Lincoln Lawyer”, starring Matthew McConaughey.

Sunday, August 19th: IMLS Fellows, Cynthia Lovett, Amanda Carter, Alex Champion and I will meet with Julieanna Richardson to review all of our processed and completed special collections.
Ardra Whitney (Counting It Down: 5 Work Days Left)
IMLS Fellow
Avery Research Center for African American History and Culture

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