Monday, April 29th -
Tuesday, April 30th:
I continued my work on the Virginia Geraty Papers by removing
the metal spiral bindings from the collection’s 227 notebooks and foldering them
individually. On Tuesday afternoon, I attended Avery’s weekly staff meeting
where we discussed: collection and historic property assessment grants, opportunities
to present on Avery’s archival collections, developing a free people of color and Philip Simmons walking tour app in partnership with Lowcountry Digital Library,
educational tours and visits, Avery’s summer internship program, hanging the Cox
family plaques for public viewing, recent acquisitions to Avery’s archives, and
the deadline for Avery Messenger submissions—the
Center’s quarterly newsletter. Before concluding my day, I contacted James
Auclair at WBGH Stock Sales to inquire about using a screen shot of the
Abolitionist Map of America as part of my Archivists and Archives of Color Roundtable (AACR) Newsletter article submission.
Wednesday, May 1st -
Friday, May 3rd:
In the latter half of the week, I updated Avery’s
Facebook and Twitter pages with posts pertaining to African American history,
culture and current events. For example, since May starts off graduation season
in the U.S., I shared an article on Facebook about Architect, Philip Freelon—lead
designer for the Smithsonian Institute’s National Museum of African-American
History and Culture in Washington, D.C.—delivering the commencement address at his
alma mater, North Carolina State University. I also continued drafting
the finding aid for the Virginia Geraty Papers; researching Library of Congress
subject headings and filling in the collection arrangement section. On Friday,
I submitted the article I had written on my interview with Manager of Archival
Services, Aaron Spelbring and his digitization work for Abolitionist Map of
America project to the AACR Newsletter
Editor, Stacie Williams. A day prior to e-mailing the article, I
took a few snapshots of Mr. Spelbring in front of Avery’s digital scanning
workstation to include with the submission. After the photo session (lol), I had
the pleasure of viewing the tribute book from the Craft and Crum Families collection, which Mr. Spelbring had mentioned during our interview. I asked to see
it because he said it contained the signature of noted abolitionist and author of
Uncle Tom’s Cabin, Harriet Beecher Stowe. When he showed me Stowe’s signature, I was in
awe. The opportunity to observe this important and valuable piece of history reinforced
for me how truly awesome and rewarding it is to be an archivist.
No comments:
Post a Comment